Corona Files 2021

From 8 Match the rules change!

8 March

Two people from different houses can meet outside for recreation, which can include „a coffee on a bench“

but everything non essential stayed closed – bars, restaurants, all shops not for essentials stay close

29 March

People will be allowed to meet outside, either with one other household or within the „rule of six“, including in private gardens

12 April

Shops allowed to open

Restaurants and pub gardens will be allowed to serve customers sitting outdoors, including alcohol

Can write something briefly and something about our lockdown rules and all the zoom, zoom and zoom experience with an image from this series. Luckily I dont have to use it for proper work otherwise i would go mad.

Just let me know.

all the best, Siraj Izhar (London)

Rasso Rottenfusser, München
Alan Perez, Gibraltar

Jessica Arseneau, Standstill, 2020
Kathrin Rabenort
Januar, 2021

Corona Files 2020

So from now in London this confusing Brexit govt tells us we can at last visit other people’s homes, but only in their garden and keep 2m away. And only 1 house per day. Strictly no mixing people from different houses in 1 day.
And also if we have to, we are allowed to use the toilet of the house that we visit. These are the rules but who will police all this?
They say they have already fined 14,000 people for rule breaking but when there is a big demonstration like this week for George Floyd, all the rules disappear as everyone comes out.
And people in the government are breaking the rules and then give excuses on television – like going 60 miles for an eye test. It’s a very strange confusing time.

We are allowed to travel unlimited distance to go to exercise but can not use the trains unless we have an essential reason. Risky if you get stopped.
So a lot of people are driving – near where I live the traffic can be more than 1 mile, just one person in a car about 40 times their body weight to move around. With all the pollution.
I am thinking of going to the sea next week (Brighton) to get some clean air – if the rules will change again, to stay with friends. (Siraj Izhar, London)

Marit Lindberg (Sweden)
(Christian Stock, Tux)

Wow, its difficult to be imaginative when a prisoner of the State.
I wrote a couple of essays on my blog on corona which got a lot of responses – they are also in other places.
Playing around with some ideas but nothing concrete. My time clock is too messed up. I sleep a lot.
I take a regular walk in the city and the Thames; the City is eerie, the homeless are struggling in particular as everyone has disappeared. There is a big gap here between what is said in the media and what happens in practice.
Anyhow to see the empty deserted monuments of Capital is very poetic

but of course the money extraction from around the world is still going on.
Want to make a work at some point….

When its low tide, I go on the Thames.

The geese and other birds keep me sane.
How long for….
Wish I could escape. I think Berlin would have been easier than London. (Siraj Izhar, London)

During the time of the big lockdown here in Vienna I made the recordings for the short film “Spring Will Not Be Televised“. The focus of these recordings is on TV-Sets in private living spaces that are visible from the streets outside. During nightly walks through the city I aimed to find as many of these TV-Sets as possible and to film the programs that were televised. In the cutting process I later tried to form a narrative out of the collected footage in a very free and associative way. The result, rather automatically than intended, turned into a media-based portrait of our present-day world.

What particularly interests me in this project is the fact that it is built on two visual levels.

The first level is the one of the televised image. It enables both, a view outside onto what´s going on in the world but also inside, onto the interests and media habits of the TV viewer. In times of isolation the wish for escapism and the dependency from digital media become visible more than usual. In this situation, media not just functions for purposes of entertainment but as one of the only sources for information about the world outside.

The second visual level is the environment the TV-Set is placed in. Here I tried to portray the ways of how information spreads through media. The film starts with images of the big TV-stations and media houses. Therefor I filmed inside the newsrooms from the streets outside. Starting at these epicenters of information the camera the pans to the media consumers. As the perspective gets closer and closer into the private spaces the images on the TV-Sets become clearer. Finally you have to feeling to stand inside the living rooms of the TV viewers.

For me personally the film shows an atmospheric picture of a society in state of emergency. At the same time I think that the pictures indicate how society has maneuvered itself into this situation by it´s doubtful ways of acing and dealing with the world. (Michael Heindl, Wien)

(Kathrin Rabenort, Köln)
(Kate McCabe, Mojave Desert)
(Max Sudhues, Berlin)

(Agnes Prammer, Wien)
Munich, South thermal power station
the good weather and my well-behaved adherence to the rule not to go mountaineering because of the pandemic is driving me crazy.
As compensation I paint large-format alpine landscapes with African groups of people.
In Photoshop I mount a giant pocket watch in a bizarre rock gate.
In a moment I will call Robert to see if we can go climbing on a hidden rock.
Robert says: not so. (Wolfgang Aichner, München)
(Wolfgang Aichner/Thomas Huber, München)
lot of hope also to change things for a better world. (Kim Dotty Hachmann, Berlin)
New times, call for new Looks-self-portrait with homemade mask that was created out of recycled art supplies. (Tina Dillman, Pittsburgh, PA, USA)
Here is a performance documentation I did with Krinzinger called Interruption (Duo)
At this a certain fragility and calmness as the singers feel the tremors of the fluorescent lights beating underneath their bodies.
I feel it has a sense of being on hold and poised in a delicate balance. The fluorescents are themselves at the end of their lives so there is space of intermittent and precarious behaviours going on but with a sense of rebirth too which I feel all adds up to a reflection on current times…(William Mackrell, London)
The streets are more empty than usual, but it is far from being quiet out there. I live on a very busy street, the overground U-Bahn is in full view. I noticed that the church bells ring at noon. I work mostly from home but I feel mostly imageless. My desk looks like this at the moment. (Jorn Ebner, Berlin)
(Matthias Beckmann, Schautafel des Schuppentiers Pangolin: Schuppentier, Skelett des Schuppentiers, Schuppentier in eingerollter Pose, Berlin 2020)
The pangolin is maby the host of the corona virus.
( India Roper-Evans , London)
(Win Knowlton, Berlin Wall 2020, Berlin)
Looking out the window of the Lichtenberg Studios July 2019, Yash, Bangalore

(Surekha, Bangalore)

Christian Stock, Wien/Tux, „Kri(e)se“ Dispersion on canvas, 100 x 100 cm, 1985
( India Roper-Evans , London)

I was calling to Sweden today and my friend reported that her mother is concerned about the police state in Czech Republic, while she is concerned about that the Swedish state is doing less to protect people. Write now she is reading Magic Mountain (Der Zauberberg) by Thomas Mann.

(Matthias Roth, Berlin)

(Max Sudues, Berlin)

Poem for Rod


art or poetry

we are

our part

life itself

the human world

the end

I am not your danger

(Jürgen Olbich, Kassel)

Actually, everything is quite bickering, everyone is allowed out, but only in twos, or if from a household with several, everything is up to except groceries, drugstores, apotecs, gas stations and „Spätis“. In Bavaria, only those people who live together or are „life partners“, whatever that means, are allowed to go out together. That is really terrible, with over 50 percent of single households a very stupid decision, I feel sorry for the poor people.

Everyone more or less adheres to these commandments and the rules of distance, about 2 meters apart. From time to time there is already tension, some older people become almost hysterical, they have very much internalized that the old have less chance to survive, while the young remain quite safe, especially the high death rates from Italy are worrying.
Not too much has changed for me, I work mostly from home anyway, but I can no longer go out to eat or celebrate, nor organize parties or openings myself, nor can I travel. Now I do sports via Youtube instructions at home with my girlfriend, not bad at all, outside in the yard I start to do tests for a new project for interventions in public space, because I can’t come to my friends and workshop in the Uckermark.

Economically I’m doing reasonably well, I have a fixed income for this year, which hasn’t broken away, but I’m very worried about the whole cultural structure, but also about the small-scale economic life, if we have bad luck, we’ll end up in front of international chains and a mail order company… (Uwe Jonas, 28 March, Berlin)

März, 2020


April, 2015

Elisabet Apelmo

Die Poesie und Politik des täglichen Lebens

In meiner künstlerischen Praxis interessiere ich mich neben traditionelleren Ausstellungen dafür, Kunst im öffentlichen Raum zu schaffen, die sich in ihre Umgebung einfügt und nicht unbedingt oder unmittelbar als Kunst wahrgenommen wird. In der Vergangenheit habe ich mit Sound, Performance, Video und Fotografie im öffentlichen Raum gearbeitet. In Lichtenberg habe ich begonnen zu erforschen, wie Zeichnung im öffentlichen urbanen Raum eingesetzt werden kann.

In den Zeichnungen geht es um die Poesie und Politik des täglichen Lebens – Klima, Frieden und soziale Gerechtigkeit. Sie sind inspiriert von Botschaften und Bildern, die ich bei meinen Spaziergängen in der Gegend fotografiert habe. Sie haben alle einen performativen Charakter, sowohl in der eigentlichen Herstellung in der Öffentlichkeit als auch in den Spuren der Zeichnungen von Hand.

Helle Schatten

Vor dem Atelier sah ich Kinder, die auf dem Bürgersteig mit Straßenkreide malten. Nachts ging ich mit meinen Straßenkreide hinaus und zeichnete Schatten von Pflanzen, einem Fahrrad und einem Pfosten. Es wurden fünf Zeichnungen angefertigt. Ich habe in weißen oder sehr hellen Farben gezeichnet, und da sie im Schatten lagen, konnte man sie nur im Blitzlicht oder bei Tageslicht sehen.


Ich sah mehrere „Vermisst Plakate“, deren Texte ein Gefühl von Traurigkeit, Sehnsucht und Verzweiflung über verlorene Katzen, Hunde und einen Papagei ausdrückten. Ich fertigte Kohlezeichnungen nach Fotos an, die ich auf dem Computer hatte: meine Katze zu Hause in Malmö und mein Hund, der starb, als ich noch ein Teenager war. Schließlich eine enge Freundin, die verstorben ist. 14 kopierte Zeichnungen wurden aufgehängt.


Im Stadion Friedrichsfelde bemerkte ich Muster im Sand auf dem Kunstrasen. Zuvor hatte ich einen Aufkleber mit einer Friedenstaube fotografiert. Ich fertigte eine Schablone aus einer vergrößerten Friedenstaube an und ging dann mit der Schablone, einer Kehrschaufel und einer Schaufel zum Sportplatz zurück. Ich kehrte den Sand auf dem Kunstrasen auf, legte die Schablone aus und streute den Sand wieder in die Schablone. Dies wurde an fünf Stellen wiederholt.

Es ist nicht zu spät!

Der Text und die Schriftart sind einer Plakatkampagne der Berliner Umweltbewegung entlehnt, die sich dafür einsetzt, dass die Stadt bis 2030 klimaneutral wird. Ich habe den Text mit Tinte auf sechs Federblätter gezeichnet und sie dann mit doppelseitigem Klebeband an verschiedenen Sitzen befestigt.

„Wie es einer Gesellschaft geht…“

Einige der Aufkleber und Plakate, die ich fotografiert habe, waren politisch. Im Studio hörte ich eine schwedische Radiosendung mit Nicolas Lunabba vom Verein Helamalmö, der mit Kindern und Jugendlichen arbeitet und soziale Gerechtigkeit als Ziel hat. Ich habe mich auf ein übersetztes Zitat von Lunabba gestützt. Dann habe ich die Zeichnung vergrößert, um das Gefühl für die Arbeit der Hand und die Zeit, die sie zum Zeichnen brauchte, zu verstärken. Das Werk wurde im Fußgängertunnel der S-Bahn Nöldnerplatz aufgestellt.

Oktober, 2022

Birgit Spiegeler

Auf der Lichtenberger Straße treffen sich die Worte

Mitte August bis Anfang September 2022 war ich im Künstlerresidenz im Lichtenberger Studios. Ich habe arbeiten gemacht mit den Themen ‘So Nah’ und ausgestellt beim Lange Nacht der Bilder in einen Hofgarten im Lichtenberg zusammen mit drei Künstlerinnen aus der Gegend: Ruth Biller, Maria Vedder und Anita Stöhr-Weber.

Als Dichter war ich auf der Suche nach Wörtern im offenen Raum.

Es gab einige.

Freie Stimme

Fahr vorsichtig

Es könnte auch

Dein Kind sein

Es ist nicht zu spät

Eimer liebt dich

Raum für Freiraum

Dichter als Goethe

Chill mal Berlin

Verein für aktive Vielfalt

Weniger Existenz-angst

Berlin sagt nein zu Tierversuchen!

Elektrische Licht Kraft




Oktober, 2022